Something different, eh Natasha? These lyrics might hold some verity if she was indeed edge-cutting or musically subversive but as the rest of her album proves, she's still an anodyne pop artist no matter what big rappers she enlists [I use the term 'big rappers' loosely considering in this track it's Bizarre from D12] in order to be more 'hip-hop' and the same goes for her 'street' lingo and really peculiar accompanying accent in the quoted bridge which I guess is supposed to be 'streetwise' too. What makes things worse is that she bangs on in practically every song about how creative she is...about as creative and original as a ballpoint pen. All in all, very exasperatingly phony.